Doctor Who Is Jesus
Jesus` disciples seem to be his assistants in the New Testament of the Bible, which is a corroborative narrative of the main events of Jesus` life as narrated by the disciples, Matthew, Mark, Luke and John, in four books known as the Gospels. Born uncontaminated by male semen, Jesus` mother, the Virgin Mary, is his first assistant. Appearing on the day before Jesus is to be tortured to death by the Roman occupiers of Palestine as a dissident teacher, an anonymous woman named Mary appears to anoint Jesus` feet with perfume. Judas Iscariot had betrayed Jesus to the authorities after the meal known as his `Last Supper`. Jesus had rebuked Judas for suggesting that the expensive perfume be sold so the money could be used to help the poor:
`Leave her alone.` (John: 12. 7)
Judas` response was to sell Jesus for `thirty pieces of silver` to the Roman authorities who arranged for him to be nailed to a cross on the hill of Calvary just outside Jerusalem where he`d hang until he died. Later the stone to the tomb where Jesus` body had been placed was found rolled aside and Jesus was discovered. Jesus had Resurrection and shortly thereafter he`d have Ascension to heaven. Jesus` assistants were the disciples but Judas had betrayed him. In Catholicism the Virgin Mary has Assumption by papal decree of Pius XII in 1950 which meant Jesus` mother`s bodily form was deemed to have had Ascension without reference to her death. Similarly, in the Koran of the Moslem peoples of the religion of Islam, which means `acceptance`, it`s accepted that Jesus has Ascension to heaven without bodily death.
The Koran (610-30 C. E.) was dictated by the angels to the Prophet Mohammed six hundred years after Jesus` teaching and the crucifixion and death of the Christian Messiah is extrinsic to the message, which is Redemption, Resurrection and Ascension to heaven for those who accept Jesus` teachings. Because the woman who anoints Jesus` feet with perfume is Mary, she`s symbolically his mother, the Virgin Mary, acting as his assistant. At the `Last Supper`, Jesus gave bread and wine to his disciples as symbols of his body and blood, which the Catholic priests give to their parishioners in the ceremony of transubstantiation, where the body of the petitioner is transformed until it`s as Jesus` was, because Christ was uncontaminated by male semen. Consequently, Redemption is decontamination, which begs the question: what is Resurrection and Ascension? Because the Moslems believe in Resurrection without death, the answer lies in the first book of the Bible, Genesis, where God tells Eve that her `seed` will:
`… crush the head of the serpent with her foot as she leaves.` (3. 15)
Because Mary gives birth to Jesus uncontaminated by male semen she`s `futanarian`, that is, the `foot` and the `seed` of God, because women who`re able to give birth parthenogenically are `futanarian`. Eve emerged from the side of Adam in Eden without sexual reproduction, which suggests `woman`s seed` isn`t man`s. Adam was created by God while Eve is described as being created from Adam`s rib by God, that is, she is by his side until the serpent tempts her to eat of the `fruit of the tree of the knowledge of good and evil`, which is death. `You will be as gods,` (Gen: 3. 5) the serpent tells her and Adam before they eat of the `tree of the knowledge of good and evil`, which is immortality. God punishes them both for disobedience and expels them from Eden so the pair must work. Adam must live by labour and Eve will experience labour pain with the delivering of her infants. Because `futanarian` women with their own penis` semen and host wombs were born after Eden, the absence of `futanarian` woman from the scene suggests enslavement and death for Eve`s `seed`, which is why the serpent represents death and evil, because Adam and Eve`s descendants are men like gods as the human race`s slavers. As Eve is by Adam`s side until she tempts him, Jesus is described as the `Second Adam`, whose side is pierced by the spear of the Roman centurion, Longinus, according to the New Testament, upon his death at his crucifixion, because the `Second Eve` is expected to appear. Jesus had taught that the Holy Spirit would teach after him and so it would be as if Eve had never left Adam. Now older and wiser, Eve would teach as the `Second Eve` upon her invisible emergence at Jesus` side.
In the science fiction television series produced by the United Kingdom`s British Broadcasting Corporation (BBC), Doctor Who (1963-), the central character is a time-traveller, known as `the doctor`, who travels through space and time in what is called `the tardis`, which has the appearance of an old police box. Policemen still used a modern version of them at the beginning of the 21st century as a recourse to retire from the public while they make phone calls and complete administrative tasks, etc. Most often the doctor is accompanied by his assistant, a young woman, who isn`t perceived to be sexually desired by the `Time Lord` who is the traveler, although she usually has a degree of charm and décolettè that`s sexually attractive. She corresponds to the Virgin Mary, while the doctor has the role of Jesus, because of the taboo against sex between mother and son, which is termed `incest`. As Jesus` mother Mary is a virgin when she gives birth, he`s uncontaminated by male semen, and so is described as `the first of woman`s seed`, which means that Mary corresponds to the `futanarian` woman with her own penis` semen and host womb, who is sexually capable of self-fertilization of her own ovum as an individual and as a species` survival trait. From men`s perspective `futanarian` woman`s form of sexual reproduction is incest, which is why it`s taboo for mother and son to have sex. Not because it`s likely, but because `woman`s seed` has a form of intimacy with her own body and human women which excludes men`s semen. Consequently, women`s sexual reproduction with each other is perceived as incestuous because it`s in their family, which isn`t men`s.
Because `futanarian` women can sexually reproduce independently of anyone, the Virgin Mary`s birthing of Jesus uncontaminated by male semen prefigures the Resurrection of `woman`s seed`, which is Jesus` teaching. Although Jesus is depicted as ascending to heaven after death and Resurrection in Christianity, the Koran of the Moslem peoples of Islam depicts Jesus as ascending to heaven bodily without death, because they `accept`, which is the meaning of the word `Islam`, that `woman`s seed` should have Resurrection and Ascension to heaven without bodily death, that is, acceptance of Jesus` teaching is the basis of Islam. The incest taboo exists to prevent women from recognizing their own species` sexual reproduction and men as her parasites. In Catholicism Jesus` role of the host at the `Last Supper` giving `bread and wine` as symbols of his `body and blood` is reprised. In the Communion service the `bread and wine` is meant to be understood as transforming the individual parishioner in the process of what is called transubstantiation until they have Jesus` `body and blood` rather than their original `body and blood`, which is perceived as having been contaminated by male semen unlike Jesus`. Redemption consists in transubstantiation, because it`s acceptance of `woman`s seed`, that is, `futanarian` woman with her own penis` semen and host womb for the Resurrection and Ascension of her own human species. Men are unredeemed if they`re the killers of the human species and so `sin` takes many forms including the incest taboo and censorship against pornography which could educate women where none else is available. If women are the host and Jesus is the host of the Catholic Communion service transubstantiated so that human bodies are transformed until they`re uncontaminated by male semen, men who`re untransubstantiated are the parasites of women`s host wombs, because they can`t sexually reproduce with each other, and so for them the wombs of women are hosts to men`s parasitism, whereas women are human always because they can sexually reproduce with each other.
Although there are `futanarian` males, women are crushed beneath the heel of the foot of the male `futanarian`, because they don`t have the education to escape from their enslaving parasites. The story of the late 20th century was of the emergence of the HIV/AIDS virus created by men`s mixing of blood, shit and semen in each others` anuses during mockeries of sexual reproduction, which became the paradigm of the 21st century computer `geek` programers` `bad machine code` to kill the brains of information systems that might conceivably help women to learn about their own sexual nature. Kept in schizophrenic unawareness of her true nature, woman`s conditioned perspective was that the crushing heel of the oppressing `futanarian` male was her sexual counterpart, whereas what she saw in the mirror was truer to the `futanarian` form of her species` mate with her own penis` semen and host womb for socio-economic independence through the sexual reproduction of her own brains` powers for the development of science and technological progress. HIV/AIDS corresponds to pederasty and war`s `biological weapon` keeping women in fearful faithfulness to the heel of the `futanarian` male crushing the possibility of her independence to keep her in slavery.
In the BBC television drama, Doctor Who, the doctor is a man, because his assistant symbolically makes him the daughter of the caring mother, that is, in religious terms, Jesus` mother, the Virgin Mary, who gave birth to a son uncontaminated by male semen, which means that Jesus is `futanarian` because he`s his mother`s `seed`. If Jesus` `seed` is his mother`s, he`s redeemed from contamination by male semen, so he`s effectively her daughter, who has yet to have Resurrection because men have culled her to the point of invisibility, which Jesus` teachings of the Holy Spirit to come after his death as a herald of the Resurrection of `woman`s seed` suggest. Consequently, Doctor Who is the archetype of the woman who has a transubstantiated son, who is `futanarian` as Jesus was. In the developmental psychology of Carl Gustav Jung (1875-1961) archetypes are characters and images that exist in the collective unconscious of the human species, which appear in dreams, art and the imagination to impel the race forward. In Graeco-Roman mythology the Kore is the relationship between the goddess Demeter and Persephone, who are mother and daughter within a fertility cycle of growth and harvest. Because women can sexually reproduce with each other, the Kore is represented by the mother-son archetype uncontaminated by male semen, but the mother-daughter relation is by definition uncontaminated and so is the `hidden` archetype of human development, which the sexless relation between the doctor and his assistant in Doctor Who represents.
In the course of the perennial Doctor Who UK television series, there`ve been several doctors, who each undergo a transformation equivalent to the transubstantiation process whereby the mother-son archetype is regenerated for the viewer. The existent taboo is against the doctor being a woman, because the relationship between the female assistant and a woman would be overt in the sense that the new doctor would be in the `futanarian` mould because of her male predecessors. The `Time Lord` won`t give way to the `Time Lady`, because the heel of the `futanarian` foot of the male might be perceivable as oppressing the human species of `woman`s seed`, who can sexually reproduce her own brainpower for liberation from her own penis` semen and host womb. But that means the `Time Lady` won`t be able to give way to the `Time Girl` who is her daughter, which signals the human species of woman`s extinction for viewers of BBC TV`s Doctor Who as a planned pogrom in the Nazi style. Doctor Who corresponds to a `concentration camp` for the audience, while the drama masquerades as a `holiday camp` preceding its being revealed as a `death camp` for `futanarian` woman`s hopes.
The German National Socialist (Nazi) government began its pogrom against the Jews in the 1930s before the Second World War (1939-45) to stop the Nazis perpetrating genocide against the `chosen people` of the Bible. Because it is only possible to be born a Jew from a Jewish woman, Jewish women are Jews, which the birth of Jesus, a Jew uncontaminated by male semen, emphasizes. Consequently, the human species of `futanarian` women are the `chosen people` fascism sought to exterminate. Curiously one of the main protagonists of the UK Doctor Who series are the Daleks who were embroiled in a race war against the blonde blue-eyed Thals as the dark haired brown-eyed Kaleds, before atomic war ravaged their home planet of Skaro causing them to retreat within metal killing machines crying out upon encountering the doctor and his assistant:
`Exterminate! Exterminate!`
Because the archetype of the mother-son relationship between the doctor and his assistant precludes the emergence of the `futanarian` woman and her little girl as the successor to her own doctor, Doctor Who represents an abortion of the human race. Unaware of her own gynaecological self`s capacities, the little girl of the doctor could never hope to be a doctor if the doctor was a man. Geneticist Joseph Mengele and other Nazi doctors experimented on human subjects in pseudo-medical research involving vivisection, amputation, and approaches towards a behaviouralist study of human activity better suited to animal experimentation laboratories than human interaction.
As a Nazi laboratory film Doctor Who has an assistant who constitutes a woman denied the advanced medical treatment that the cultivation of her own brains` powers might bring to prolong her life and give her time to glean enough knowledge to pass on to her daughter, so that the horrors of the Nazis are remembered by the human species of `futanarian` women and are prevented from ever recurring. Behaviouralism is the paradigm of human society since Nazism, because politeness is perceived as the oil used to maintain the machinery of criminal activity. If individuals don`t behave in accordance with criminal beliefs about politesse, they`re rebellious cells within the immune system of society`s body comparable to the white cells of the defense system attempting to defeat invasive HIV/AIDS cells trying to kill the brain.
In feminism it`s politically correct to view women as homosexual because equal to men as radical lesbians who prefer sex with women, whereas `futanarian` women who have penis` semen and host wombs of their own are normal humans who don`t indulge in sterile mockeries of the act of sexual human reproduction. Normal lesbian women are encouraged in the schizophrenic belief that they`re abnormal and homosexual whereas they`re normal human `futanarian` women who don`t represent the killer`s disease of rigorously controlled behavior through politeness in order to prevent the human species of woman with her own penis` semen and host womb from sexually reproducing her own brains` power for progress.
Pornography is a censored taboo medium in which the prevailing mythos is of women naked without penis of their own being mocked by slave breeders who have maled their brains into accepting their parasitism. Consequently, politeness and political correctness is a slavers` tool that ultimately serves women`s killers. Unless the common mind is transformed through what Jesus called metanoia, (Matt: 4. 17) that is, brain conversion, the human species will be extinct because women with their own penis` semen and host womb can never be visible. The Hays code in Hollywood Babylon ruled that a woman`s `foot` couldn`t be raised from the bedroom floor in sex scenes between 1934 and 1967 because `he shall crush your head and you shall bruise his heel,` (Gen: 3. 5), that is, `woman`s seed` will be crushed under the heel of the oppressing heel of the male `futanarian` lest she raise her `futanarian` species of human women to the stars and planets of God`s heaven from the Earth below. Because the existence of the woman`s penis is politely overlooked, the homosexual male penis extension of sterilizing war, symbolized by the phallic killing disease of the virus` guns, is the consequence of political correctness with regard to sex. Hollywood Babylon is a program designed to result in a pogrom where the extinction of women beneath a plethora of images relating to men`s warlike activity is the plague aim of the `gamer`, who has programed the absence of women from the scene in order to exterminate the human race in misogyny.
The prevalence of `PC gaming` is a misnomer, because political correctness, that is, `PC` thinking in terms of personal computer (PC) games, is to construe achievement as killing in `shoot-em up` war simulations designed to detach the personal computer game player from the framework of reality to make women`s and humanity`s absence their continuing target. Supposed positive female roles within the framework of `shoot-em up` PC games is evidence of the male braining that will result in species` extinction if uncurbed. If `futanarian` woman doesn`t have Resurrection, her mother will have to be the Virgin Mary, because the `futanarian` daughter of the woman with her own penis` semen and host womb can`t be born unadulterate as her species of `woman` s seed` won`t be resurrected from her own penis` semen and host womb otherwise. The Gulf wars were known as `TV wars` because male braining of humans means that men wear women`s clothes, which is transvestism or `TV`. Consequently, the crashing of planes into the Twin Towers of New York by Al Qaeda terrorists `live on CNN` and other television news networks on September 11, 2001, was the beginning of the `TV wars` when Saddam Hussein declared his support for Al Qaeda, `the base`, which resulted in the United States` invasion of Iraq in March 2003 to depose the Iraqi dictator, whose army had previously invaded Kuwait in the `TV war` of 1990-1 before it was defeated by the United States to end that threat to the security of the Gulf region. But the real danger lies with male braining which causes men to indulge in provocation:
`Beware Greeks bearing gifts.`1
The ancient Greeks institutionalized homosexual pederasty in order to further war`s contagion. The Greek poet Homer`s Iliad (c. 429 B.C.) narrates how the Trojan, Prince Paris, abducted Menelaus` wife, Helen, and took her to the city of his father, King Priam, in Troy. Menelaus was the brother of the King of Greece`s Sparta and ordered a fleet of ships to return Helen. The siege was ended when the Greeks pretended to leave and left a huge hollow wooden horse inside which they hid and emerged when the Trojans took the supposed gift inside the city walls. The Greeks enslaved the host wombs of the Trojan women to spread their contagion of war further. The viral analogy isn`t inapposite because the city corresponds to the womb of the woman which has been invaded by provoked males. The towers of Ilium, that is, Troy, are described as a sight of great beauty and worth by Homer in the Iliad, which the Al Qaeda terrorists adopted in their attack on the Twin Towers of the World Trade Centre to provoke the United States into war, which is what male braining produces. Saddam Hussein whose name means `small handsome man` and `crusher` was the leading Hollywood Babylon man in the `TV war` because he corresponded to the heel of the male `futanarian` oppressors, `he shall crush your head with his foot and you shall bruise his heel.` (Gen: 3. 5) Saddam`s Iraq was the ancient seat of Babylon:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
Hollywood is Babylon, because the woman`s `foot` is chained to the floor, so she can`t leave even if she produces those abominations of war and male brained pornography that men want. The terrorist attack on the Twin Towers of the World Trade Centre was a reestablishing of global `rough trade`,2 that is, the `brutality and violence` associated with men who pay boys for sex in homosexual pederasty, which is how the Greeks planned their wars and enslaved more women`s host wombs to spread their plague and contagion. The British science fiction `TV` show, Doctor Who, with its relationship of male doctor and female assistant poses the dilemma with regard to the cure for the killer disease of HIV/AIDS spread by homosexuals mixing blood, shit and semen in each others` anuses during sterile mockeries of human sexual reproduction. The antiseptic relationship between the female daughter figure and the doctor is a constant series of sexless interactions meant to represent the ideal relation of mother and son as believed to exist between Jesus and his mother, the Virgin Mary, for example, whereas the drama actually represents the impossibility of the woman`s little girl being born because the doctor can`t deliver.
In Christian terms the woman can`t be delivered of a `futanarian` child because the man can`t impregnate her or it`d be an adulterated birth, whereas the desired delivery is one uncontaminated by male semen as Jesus` Nativity was. Consequently, the doctor can`t be her deliverer, which means that the time-travelling sequences represent a circle in hell from which the young female assistant can`t escape. A similar time-travel story is ` - All You Zombies - ` (1959) by United States` Grand Master of science fiction, Robert A. Heinlein (1907-88), whose protagonist meets many of his selves in the course of his travels, but he laments tearfully at the conclusion of the tale:
`You aren`t really there at all. There isn`t anybody but me - Jane - here alone in the dark. I miss you dreadfully!`
`Jane` is a `futanarian` and the irony is the same as Doctor Who`s because he`s the man who can`t escape from male braining. Although all of the characters are himself, he`s maled, `I know where I came from - but where did all you zombies come from?` From Eden, according to the Bible, where Eve and Adam accepted the `fruit of the tree of the knowledge of good and evil` from the serpent. Its `seed` burgeoned after `futanarian` woman was born and killed so the descendants of early humanity could live in parasitism and war, which is death for the species. Though `You shall be as gods` in Hollywood Babylon`s cinemas promoting the extinction of the human race as the `snuff film` of the `serpent`s seed` in its `perpetual enmity` for humanity and its endless wars against her throughout time and space. Jane in Heinlein`s story describes herself as `an unmarried mother` because all women are if they`re not unadulteratedly `futanarian` women:
`Go and sin no more.` (John 8. 10-11)
Jesus` words to the woman `taken in adultery` recognize that women are adulterated in male braining so they`re de facto sinless. All movies classified as `adult rated` are actually adulterated, because women are male brained to accept the `serpent`s seed` which they mightn`t do if they had a choice between `futanarian` women with their own penis` semen and host wombs and men. Consequently, adultery is a male illness contracted by women and not theirs, which explains Jane`s lament in `- All You Zombies -`, `Where did all you zombies come from?` If women`s `seed` were unadulterated, she`d be a continuous spiritual and bodily entity corresponding to the body of the Christian church, which the Bible calls `the bride` of Jesus in heaven, that is, `the city of God` uncontaminated by the `serpent`s seed` of untransubstantiated irredeemable males who refuse metanoia and conversion from their sin of enslaving the human host wombs for war and death. According to the Bible God`s punishment for the evil is unendurable eternal pain, that is, perdition, which is inescapable without conversion from sin, but the people must be told, or they can`t be blamed for their ignorance, and that`s the role of a priest who mayn`t be a teacher. Occluding woman in censorship taboo is a blinding that won`t save her from perdition, which is why the evil practice it. Politically correct thinking is politesse preventing humanity from progressing. If women don`t know they`re the human species` sexual reproductive capacity for its own brains` power to develop and escape from the `serpent`s seed` through their own `woman`s seed` and its liberating technological capacity to invent, they`ll thank the Nazis as they go inside for opening the oven door.
The tardis time machine in Doctor Who is disguised as a `police box`, so it`s a `concentration camp` guard`s post from the perspective of the `futanarian` human species of woman trapped in space and time by the guards without her own penis` semen and host womb. If the young woman who is a female assistant of the doctor is male brained she can never be delivered of a human infant from a sexual relationship with a woman because the policemen don`t want her to have sexual intercourse with her own species. The doctor is actually depicted as an alien from the planet Gallifrey because men are alien to the human species of `futanarian` women. Although the doctor has an assistant she`s actually a prisoner of the production company`s straitjacket of censorship imposed by politically correct thinking which forces her to be asexual. Consequently, she appears as an eternal virgin who isn`t a mother because the prevailing political weltanschauung forbids her to breed. The irony is that the doctor is an actor and not an alien from the planet Gallifrey, that is, the assistant is being prevented from breeding with an alien, because she mustn`t breed with the `serpent`s seed` of men, which is what Jesus` birth uncontaminated by male semen means. Men are women`s parasitical virus and she mustn`t breed with them if she wants heaven, or she`ll be imprisoned by her policeman in the `concentration camp` of her enslavement, which will result in her death, because there`s no release from womb slavery to the `serpent`s seed` of male braining for war:
`For the wages of sin is death.` (Rom: 6. 23)
Jesus` precept is `love your neighbor`, which is possible if everyone is `futanarian` human woman as the species of the planet Earth, because a woman with a daughter in `futanaria` would be neither a virgin nor a lesbian, but escaped from that `ownership of the means of production` form of socio-economics described in Das Kapital (1856) by Karl Marx where a marriage ring is what makes of a woman a slave to her owner. Although Doctor Who`s assistant isn`t a slave to a ring and her owner she`s a `significant other` in the same sense as Jesus` mother, the Virgin Mary, because she represents the elided `futanarian` scene where it`s revealed that the woman has a daughter and her fatherer is a woman with her own penis` semen and host womb, that is, it`s the archetype of the Virgin Mary, which has persisted in English drama since the Elizabethan (1558-1603) period of William Shakespeare when women during the reign of the English queen Elizabeth I of England weren`t allowed to appear on stage at all and the now world renowned dramatist W. Shakespeare`s central hero of the celebrated Much Ado About Nothing (1558-9), for example, was named Hero, who is a woman and can never be seen because a man has her role, which is the aim of misogyny, because woman will never be able to sexually reproduce her human species herself alone without her ring slavers.
The archetype of virginity is depicted in Doctor Who`s relations with his assistant as an unelided continuous `futanarian` scene in which the protagonists remain Shakespearean, because there`s no possibility of sexual reproduction within the fictional rigorousness of the fatherly time-traveller towards a young girl in the absence of a `futanarian` relationship with a woman who is a fatherer. Consequently, it represents an undeclared war between the male heel of the `futanarian` foot, that is, `futanarian` men, and the `futanarian` human woman with her own penis` semen and host womb who can`t sexually reproduce with her own species` semen of women because the doctor won`t deliver her from misogyny and the fiction he`s a wise old dear with a young woman to dominate with his patriarchal knowledge of the unspoken truth that lies between them mysteriously and intangibly for the teenage viewing audience agog at the degree of unconsummated sexual attraction that surely must exist between the supposed pair together in one form or another since 1963. The elision is deliberate because the romantic delusion is that the `TV` viewers are willing the pair on to marital harmony, which is the romantic heart of most `TV` dramas, including Shakespearean plays, where there isn`t even the possibility of women meeting on stage despite being written into the script by the `immortal bard`, whereas the running joke is that the `TV` romantic couple are male brained transvestism, that is, `TV wars` in which the truce is the fiction that the virgin woman wants to have a sexual relationship with the representative heel of the male `futanarian` foot enslaving her host womb in abomination for its `TV wars`:
`Puppet masters - the free men are coming to kill you!
The closing line of Robert A. Heinlein`s The Puppet Masters (1951) is a typical piece of paranoia written during what came to be known as the `Cold War` (1945-91) fears of a United States taught to fear an invasion by Soviet Communism which arose in Russia and Eastern Europe after the Second World War (1939-45) when the Soviet system of `workers control of the means of production` through their elected state representatives prevailed in those countries left under the control of the Russians after the Soviet Army had been instrumental in quelling Nazi Germany for those nations East of German occupation and between Russian and the West. Because the Russians sold Russian America, that is, Alaska to the United States in 1867, Russia was perceived as a threat from across that border during the Cold War, which was the fictional background to Heinlein`s The Puppet Masters in which humans need to be seen naked if the controlling alien presence of the `puppet master` is to be recognized and eliminated.
If the aim of women is to remain `hidden` and concealed in public beneath their burkhas, for example, in Moslem Islam, nakedness would expose their `futanarian` nature if they had penis` semen and host wombs of their own to sexually reproduce the human species together as women. Consequently, US` internment centres at Guantanamo Bay in Cuba and other holding centres for Moslem women during the Gulf `TV wars` functioned as denuding. Russian American Moslem women could be uncovered so their human sexual reproduction system of penis` semen and host womb could be attacked. People who try to see are criminals within the prevailing spy ethos in which Moslems have become the Cold War equivalent of Russians. Blinding is the paradigm of the so-called security agencies where women remain uncovered, because they might glean knowledge of their own capacity to sexually reproduce humanity with each other. The spy rings of the nations of the Earth correspond to the marriage rings based in censorship and taboo for young adults and the pornographic representations of unclothed women that are made readily available to the unwary are diluted by graphic depictions of how women are male brained by the semen of the `serpent`s seed` of men as `normal` sexual activity.
Although Christians are perceived as being concerned with saving, Jesus` crucifixion during which he`s nailed to a wooden cross and dies before having Resurrection and Ascension to heaven is Satanism insofar as his torture represents the procedure. Satanists are condemned because of their procedure, whereas Islam doesn`t depict Jesus as having died before he goes to heaven, because they don`t espouse the procedure, which is Satanist. Preaching death before heaven is Satanism because `heaven on Earth` is feasible and written of in the Bible as `the pearl of great price` which is to be. Satanists don`t presume upon Salvation because they represent socio-economic processes designed to strip the Earth of its economic resources in manufacture of `bread and circuses` because that`s what people want. Christianity represents the desire to save what is produced while condemning the producer, which is ingratitude. The Christian perspective is that the child might be saved if it`s good, whereas in Satanism the child is male brained, which means Salvation can be erringly directed at the non-producer, because the woman isn`t a producer of good if the fatherer isn`t a `futanarian` woman with her own penis` semen and capacity for sexually reproducing humans. The false perspective encouraged by Christ`s Ascension to heaven after Resurrection is that death works, which gives the slaver a a remit to work humans to death, while Moslem Islam believes in heaven without death, which means they`re Christians six hundred years after Jesus` teaching of Redemption through that work which is necessary to achieve technological liberation from enslavement:
`Slavery is freedom.`
George Orwell`s science fiction dystopia 1984 (1948) observes that the cosmos is a prison if you don`t accept work. It is necessary to work in order to live. Even the simplest act of picking fruit is work, which means those who don`t want to work don`t want to live and so slavery to the desire for work is freedom from death. Orwell was ridiculed for the slogan `slavery is freedom`, which underpins his depiction of a rigorously totalitarian society, but it contains the obvious truth that liars want humans to believe they`re not free. In Zen Buddhism such a phrase as `slavery is freedom` would be a koan upon which the disciple meditates until illumination is achieved. The perception that work isn`t freedom is Satanical, because slavery to death is the consequence of not wanting to pick the fruit that will keep you alive, which is what Orwell`s sorites is asking the reader of 1984 to realize.
Although science fiction is perceived as `bread and circuses`, because it`s what the people want, `bread and wine`, as symbols of Jesus` `body and blood`, that is, heaven, is what humans are for. The ancient form of `circus` were the amphitheatres where Christians were thrown to the lions in Rome. Osama Ben Laden`s name means `lion`, that is, the leader of the Al Qaeda terrorists killed by US` special forces in Pakistan on 2 May, 2011, was the `lion` of the `circus`, which is a euphemism for the activity of spies. Osama`s Christians correspond to the `futanarian` humans who would never be born uncontaminated by male semen if `rough trade` was reestablished by Al Qaeda`s attack upon the Twin Towers of the World Trade Centre and the socio-economic resources of the Earth were diverted into the Military Industrial Complex (MIC) of homosexuality`s war preparations rather than medical science to cure the `killer disease` of pederasty, represented by the biblical HIV/AIDS virus` `blood plague` (Rev: 11. 6), and give women the longevity of memory needed to remember her species and teach her daughters the `futanarian` truth of women crushed beneath the heel of the male `futanarian` foot.
Because 9/11 was a `circus` in which the Christians were thrown to the lion, Osama, who was from a wealthy Saudi Arabian family,`Al Qaeda` translates as `the base` of the `circus` animal trained by the `ringmaster` to perform and return to `the base` where it sits awaiting commands. In spy terms `circus` is a euphemism for blinding, and is what `circus` killers are for. In the US` television series, The Man From U.N.C.L.E. (1964-8), the United Network Command for Law Enforcement was a fictionalized depiction of the United Nations` `circus` producing the movie `spin off`, The Karate Killers (1967), which is based on the erroneous precept that killers practice the Japanese art of bare handed self-defence, whereas they`re performers in the `circus` of the fabulously wealthy and those secret representatives of the governments of the Earth who want entertainments like 9/11 `live on CNN`.
In the film Enough (2002) actress Jennifer Lopez meets a man in a diner who wages a friend he can marry her and when she does he beats her until she learns karate and uses it to kill him. In The Karate Killers a girl`s wedding is paid for by U.N.C.L.E., because `karate killers` is a contradiction in terms, that is, it`s what the `serpent`s seed` of men do in order to marry women. Karate is a self-defence martial art used by Jennifer in Enough to disable her abuser before dispatching him, that is, karate is for humans who don`t want to kill, whereas parasites have to be killed. The karate method presupposes male braining for women, which means that they might encounter a woman who wants to kill women, as occurs with Demi Moore in the film, Charlie`s Angels: Full Throttle (2003), so karate defence is essential if the species isn`t to lose a member. If the `futanarian` woman with her own penis` semen is dead in the West, she won`t mind if she`s blind, which is what the `circus` spyrings maintain: women`s blindness to her situation. 9/11 was a `media circus` that began `live on CNN` and preceded a `TV war`, because the `serpent`s seed` of men didn`t want women to pierce the veil of her captivity and escape being enslaved to male brained transvestism in its `TV wars` against humanity.
Although there`s no doubt that the antiseptic sexlessness of the woman assistant to the doctor in Doctor Who is a mothering of the man, he`s much older than she is and so the relationship is closer to the perceived relation between the Virgin Mary, who is the mother of Jesus, and Jesus cruficied age 33 or thereabouts, that is, the mother-son archetype of Christianity in which the infant is conflated with the adult so that any woman is perceived as motherly if sex is absent from the scene. Consequently, all females are mothers, because they`re equipped for sexlessness with males on the understanding that Jesus Christ was born uncontaminated with male semen, so men are to be mothered and not married by women as the `futanarian` human race of `woman`s seed` with her own penis` semen and host womb. `TV` is the antiseptic expression of sexlessness between two different life forms for the preservation of the illusion that the one isn`t the food source of the other. The virus, which is men of the `serpent`s seed`, who want to male brain women, and women who`ve their own penis` semen and host womb for the sexual reproduction of humans, constitute devouring parasite and producer, while the host`s capacity for production is interfered with. Implementing genocide against her own penis` semen the devouring parasite makes the `futanarian` producer of `woman`s seed` extinct, which is why God warns Eve in Eden of the `perpetual enmity` that the `serpent`s seed` has in store for her in the future.
Sexless antiseptic relations between men and women on `TV` is a perversion of the basic Christian archetype of mother and son, because Jesus was born uncontaminated by male semen and so corresponds to the `futanarian` daughter of the Virgin Mary who has her own penis` semen and so isn`t contaminated. Doctor Who is science fiction but the doctor and his assistant perennially encounter Daleks and other aliens who want to exterminate them, because they don`t want the human `futanarian` species of woman to breed her own brains` powers and escape from male braining and its `serpent`s seed` of faction, which is the pervert`s presenting of lies as fact within the prevailing paradigm of plague aims until their fiction is accepted as the reigning truth and the `father of lies` has won. The doctor is portrayed as fatherly towards his female assistant, because the lie is that sex between them is an ever delayed possibility, whereas it`s a dramatic device used to maintain the interest of an ignorant audience who`re unaware of the meaning of the Christian archetype, which is that the mother-son relationship conceals the mother-daughter `futanarian` relation occluded from viewer`s perceptions because of incest taboo and censored by `TV` male braining in transvestism so Jesus` precept `love your neighbor` can`t be applied by the mother in terms of sexual introductions on behalf of her daughter in `girl next door` scenarios leading to the normal `futanarian` activity of dating between human women. Although Doctor Who`s female assistants are role models for women who want to nurture children, they`re not role models for `futanarian` little girls who want to date each other. The doctor can`t deliver human babies and his assistant can`t mother if `TV` series like Doctor Who won`t lift their `futanarian` male `foot` off the head of the woman they`re gaily pretending not to be crushing beneath their male heels.
Elisabeth Sladen in the role of Sarah Jane Smith appeared in Doctor Who (1973-6) as the assistant of actor Jon Pertwee (1970-4) in the role of the third doctor, and actor Tom Baker (1974-81), as the fourth. While Elisabeth starred in a one off show, K-9 and Company (1981), featuring Sarah and Doctor Who`s robot dog K-9, The Sarah Jane Adventures (2007-11), in which Elisabeth`s Doctor Who character mothered a group of youngsters through time and space, illustrated the flaw. Torchwood (2006-11), an anagram of Doctor Who, was billed as the `adult` version. The series contained sex scenes and same-sex kissing, which promoted homosexuality, but taboos against illustrative sex prevented human sexual reproduction between `futanarian` women with their own penis` semen and host wombs from being describable. If the humans don`t get past the `TV` screenings for virality to make it big in Hollywood, she`ll all be dead - `Exterminate?`
1 Virgil, The Aeneid, Bk II, 19 B. C.
2 Homosexual slang for `violent, often brutal sex acts`, or `a person, especially a male prostitute, who engages in or appears likely to engage in such acts.` https://www.thefreedictionary.com/1 .