Gharāniq

Gharāniq

Gharāniq

 

Salman Rushdie wrote the novel, The Satanic Verses (1988) as a meditation on the Koran (610-30 C.E.), which was the book of the Prophet Mohamed dictated, according to Moslem tradition, by the angels, to the descendant of Ishmael, who was the son of Hajer, the Egyptian maid, of Sara, who bore Isaac to Abraham, who was the founder of Israel. Sara gave Hajer to Abraham when Sara was barren after the birth of Isaac and Hajer bore Ishmael who, through Mohamed`s Koran (610-30 C.E.), which contained elements of the Judeo-Christian tradition from the Old Testament of the Bible, that is, the Torah and Talmud, as the history and law of the Jews, and from the New Testament, which was the teaching of Jesus, who is Isa in Islam, born from his mother, the Virgin Mary, that is, Miriam in Islam:

 

`Love your neighbor as you love yourself.` (Mk: 12. 31)

 

 

 Although Mary, or Miriam in Islam, is the woman of the New Testament, Al-Lat, Manāt and Al-‘Uzzá were the three women of the Koran apart from Mary, who were known as the gharāniq, and their fate represents the continuation of misogynist racism against `woman`s seed` after God`s angels destroyed the `cities of the plains` (Gen: 19. 14), Sodom and Gomorrah. Taken over by misogyny, that is, homosexuality in pederasty through host womb enslavement of women by men, Sodom and Gomorrah were reprobate in the sense of irredeemable:

 

 `They called to Lot, `Where are the men who came to you tonight? Bring them out to us so that we can have sex with them.` (Gen: 19. 5)

 

 

 The men were angels, who saved Lot and his family, although Lot`s wife looked back as the `cities of the plains` were destroyed and was turned into a `pillar of salt`, which is what occurs in the event of a nuclear blast, according to scientific records of what researchers were able to glean from the shadows of people found blasted onto the ruined walls after nuclear explosions at Hiroshima and Nagasaki devastated the Japanese cities when the United States of America dropped the nuclear bombs, `Little boy` and `Fat Man`, on August 6 and 9, 1945. The shadows were caused by vaporised bodies containing mainly water, while salt regulates the fluid balance of the body, and the sodium ions themselves are used by the nervous system for electrical signalling. As salt is the constituent of the body that maintains form, the shadows on the walls after a nuclear blast remain distinctly human, which is why Lot`s wife is distinguishable as a `pillar of salt`; far enough away from the blast`s epicentre to remain solid: but transformed.

 

 

 Lot was Abraham`s nephew, and although the Moslems of Islam were descended from Ishmael through the Prophet Mohamed, Lot`s wife separates herself from Judeo-Christianity when she looks back in regret at the `cities of the planes` destroyed by God`s angels. Scientists in Japan blamed nuclear radiation for mutations in humans, which suggests that Sodom and Gomorrah is blamed for women`s futanarian humanity, that is, women with penis semen of their own for sexually reproducing their own brains` powers as a species. In the Bible God told Eve her `seed` would have `enmity` with the serpent, who`d been the angel, Satan, in heaven opposed to God`s plan that the human  host would be greater than the angelic, before God transformed Satan into the serpent in Eden who gave Eve the `fruit of the tree of the knowledge of good and evil`, that is, death, saying, `You shall be as gods.` (Gen: 3. 5) God had given Eve and the first man, Adam, the `fruit of the tree of life`, which is immortality, and expelled the pair from Eden with the exhortation that Adam must labor while Eve would experience labor pain before Redemption:

 

`You shall crush the head of the serpent with your foot, although he shall bruise your heel.` (Gen: 3. 15)

 

 In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her foot, because Jesus born uncontaminated by male semen is God`s `foot`, which is women`s futanarian humanity capable of producing her own brains` powers. Consequently, Lot`s wife is transformed to a `pillar of salt` because she`s Moslem in spirit, that is, she represents the gharāniq of the Koran, who`re women`s sexual reproduction between themselves, which is afforded fruition within the four wife marriage of Islam. In Judeo-Christianity`s racism, however, women`s futanarian humanity is an aberrant sexual form resulting from Sodom and Gomorrah`s exposure to mutating radiation, or directly from the sexual behavior of their citizens. Lot`s wife`s turning back regretfully to gaze upon Sodom and Gomorrah represents the need for Islam for `woman`s seed`, because women`s futanarian humanity is abhorred visibly everywhere except Islam, where the Moslem women publically wear the one-piece coveralls of their burkas so that it can`t be perceived whether they`re women`s futanarian humanity or otherwise:

 

`Have ye thought upon Al-Lat and Al-‘Uzzá

and Manāt, the third, the other?

These are the exalted gharāniq, whose intercession is hoped for.` (53. 19)

 

 The three women of the Koran, which was received by the Prophet Mohamed from the angels, according to tradition, were depicted as goddesses in the Middle East, which is given as the reason for the Prophet Mohamed`s destroying the places where the gharāniq were revered. Al-Lat`s temple in Saudi Arabia`s city of Taif was destroyed (c. 630 A.D.), although before Islam it was believed that she dwelt in the Ka` Ba, which was the temple of Abraham built by Ishmael in the city of Mecca, where Al-‘Uzzá and Manāt were goddesses with her. Because Ishmael`s mother, Hajer, was Egyptian, that is, `Ka` is `spirit` in Egyptian mythology, and Ba is `soul`, which means that women`s futanarian humanity`s desire for sexually reproducing her own brains` powers from her own penis` semen and host womb is symbolized by the Ka` Ba. As the maid of Abraham`s wife, Sara, the concubine Hajer represents the beginnings of the four wife marriage of Moslems that affords the opportunity for sexual reproduction between women as futanarian humanity. Consequently, the Prophet Mohamed`s destruction of Al-Lat at Taif, Manāt at Al-Mushallal, and Al -‘Uzzá at Nakhla was counter-productive in terms of God`s plan that the human host be greater than the angelic, because the erasing of reverence for women meant that God`s `foot` couldn`t be raised with ease from the Earth to the planets and stars of heaven above:

 

`Have ye thought upon Al-Lat and Al-'Uzza

And Manat, the third, the other?

Are yours the males and His the females?

That indeed were an unfair division!` (53. 21)

 

 The `satanic verses` are actually what the verses from the Al-Najm sura of the Koran, that is, `The Stars` chapter, are known as. Salman Rushdie made it the title of his novel, The Satanic Verses, and the reason for its banning in Islam was because the verses deride the distinction between male and female as a `false idol`, which unfairly dismisses women`s futanarian humanity`s own capacity for sexual reproduction as an independent species of women with their own penis` semen and host wombs for the production of their own brains` powers for liberation from host womb slavery. Parasitism is why God told Eve her `seed` would have `enmity` with the serpent, Satan, before Jesus` betrayal as the human host at the `Last Supper` with his disciples resulted in his redemptive act. The disciple Judas rejected Jesus` fellowship offer of `bread and wine`, as symbols of his `body and blood`, because he didn`t want `woman`s seed` to sexually reproduce. Taken to the hill of Calvary outside Jerusalem Jesus was nailed to a cross of wood and left there until he died. Afterwards he had Resurrection and Ascension to heaven in prefiguration of the return of `woman`s seed` to the planets and stars of heaven, which is why Jesus` crucifixion was Redemption for women`s futanarian humanity. He was a symbol of women`s powers of recovery from parasitism in host womb enslavement to the `serpent`s seed` promulgating war against `woman`s seed` as the Empire of occupying Rome in Jesus` Jewish Palestine:

 

`And the dragon was wroth with the woman, and went to make war with the remnant of her seed, which keep the commandments of God, and have the testimony of Jesus Christ.` (Rev: 12. 17)

 

 

 Ancient Greece is the paradigm for the host womb enslaving of women for homosexuality in pederasty and the spreading of war`s contagiousness, although Hollywood, Babylon, and the mass media arm of the Empire of the United States of America takes its name from `a woman`, Babylon, which was the name of the ruined capital city of the Persian Empire that Saddam Hussein`s summer palace at Hillah in Iraq overlooked during the Gulf war, `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Gen: 3. 15) Babylon, `a woman`, is the producer of harlots and abominations, according to the Bible, because men`s host womb enslavement of women`s futanarian humanity for war is an abomination. Consequently, Hollywood, Babylon, is abominable because it constitutes a `snuff film` record of its extinction of the human race through propaganda, for example, President Will Hays of the Motion Picture Producer Distributors of America (MPPDA) established the `Hays code` (1930-67) to prevent women from raising their `foot`, that is, women`s futanarian humanity, from the floor of the bedroom in movies on `moral grounds`, because the misogynists didn`t want women to know that they were a separate independent species capable of sexually reproducing their own brains` powers for liberation.

 

 

 By the release of Barefoot In The Park (1967), the prototypical transvestite couple, acted by Robert Redford as Paul, and Jane Fonda as Cory, was so established that `TV` had become the name for the new medium in which the human species` single male brain, wearing men and women`s clothes in `TV` transvestism, had ousted women`s futanarian humanity as the race favourite. When the Al Qaeda terrorists hijacked civil airliners to crash them into the World Trade Centre of New York city on September 11, 2001, homosexuality in pederasty and war`s `rough trade`,1 that is, the `brutality and violence` associated with war, had resurfaced, `live on CNN`, because Hollywood, Babylon, had programed it as its latest `snuff movie` release. The Al Qaeda terrorists operated out of the notoriously misogynist Taliban controlled Afghanistan, which the United States` army toppled in December, 2001, while Saddam Hussein`s televised support for Al Qaeda led to the US` invasion of Iraq in March, 2003, and Saddam Hussein`s execution on December 30, 2006. Very literary and symbolic for Hollywood, Babylon, with the Persian Emperor looking at the ruins of the former Babylon from his summer palace at Hillah in Iraq, which the movie Moguls had been plotting at least since the French seer Michel Nostradamus wrote this prophecy in the 16th century:

 

`…. from the sky there comes a great king of terror,

to bring back the great king of the Moguls,

Mars rules triumphantly, before and after.`2

 

 

 Art imitating life, or life imitating art is the issue for humanity with Hollywood, Babylon, that is, why should humans accept the script? Although the `Black September` terror group that murdered Jewish athletes at the Munich Olympic games in 1972 weren`t implicated in the September 11, 2001, terrorist attack on New York city, Islam had become a target for the United States of America`s movie plotters. For the ingenuous users of slang in the United States, gharāniq translates as `Koran nigger`, because the mass media `edutainment` industry of Hollywood, Babylon, doesn`t provide any education or entertainment beyond `snuff movie` documentaries of the death of the human race. Consequently, the target for the movie Moguls of the United States` pogrom is the gharāniq, that is, `the Koran, nigger,` which is women`s futanarian humanity in Islam trying to hide from their exterminators beneath their black burkas:

 

`Woman is the nigger of the world.`3

 

 

 Racism wasn`t blamed for the break up of The Beatles (1960-70), who were the most successful pop group of the early 1960s, but songwriter, John Lennon`s wife was Japanese and so he knew what he penned when he composed the lyrics for the song, `Woman Is The Nigger Of The World` (1972), Woman is the slaves of the slaves. Ah yeah ... better screem about it. We make her bear and raise our children.` John and Yoko Ono protested about the United States` involvement in the Indo-China war (1946-89) in which the chemical defoliant `Agent Orange` was deployed to starve the Asians and `carpet bombing` by B-29s went on, `If she's real, we say she's trying to be a man.` Killing women`s futanarian humanity upon the Earth by proxy isn`t a new policy of the United States. 60, 000, 000 buffalo were killed in North America to starve the indigenous Plains` Indians to death by the 1880s. Humans are used to war, so it`s thought `normal` by those conditioned to accept the US` Hollywood, Babylon, documentary reportage explanation for its humanity `snuff movie` ethos.

 

 

 During the Bosnian war (1992-5) upwards of 50, 000 Moslem women were interned by Christian Serbs in `rape camps` to ensure that the next Moslem futanarian generation of humans would be `beheaded`, that is, male brained, because `NORMAL SERVICE WILL BE RESUMED AS SOON AS POSSIBLE` is what the `snuff movie` Moguls want to see from their transvestite, male brained `TV`. The idea comes from the 8th century story collection, One Thousand And One Nights, with its tale of the Mogul Empire as the framing device. The Mogul ruler, Shah Jehan, had a wife, Mumtaz Mahal, whose tomb, the Taj Mahal, is in modern India`s city of Agra. In the story Shah Jehan believes Mumtaz to be unfaithful and so beheads her. Afterwards he marries a new bride each day, and beheads her each evening, until Scheherezade begins telling the stories that he keeps her alive to hear, and so she saves the women. The meaning of the fiction is that, if Shah Jehan kills enough women, he`ll die, as the women represent the harem brains of the Mogul Empire, although Shah Jehan wants to die, because he murdered his faithful wife. In Islam the women call themselves `the faithful`, because they represent women`s futanarian humanity. Judeo-Christianity sees this as unfaithful and so beheads itself by refusing to allow women to marry each other. So, for Hollywood, Babylon, men and women are a `TV` it`s made, which makes itself `snuff movies` of its own extinction, and pays to watch.

 

2 Nostradamus, Michel, Les Propheties, Century 10, Quatrain 72, 1555.

3 Lennon, John, `Woman Is The Nigger Of The World` from Sometime In New York City, Apple, 1972.